AI-Assisted Bidding
Exploring how large language models can turn scripts, breakdowns, and shot lists into first-pass bids — compressing days of estimation into hours while keeping producer judgment in the loop.
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Twenty-four years across physical and visual effects production. Eight on set as an assistant director, sixteen leading VFX bidding, budgets, global teams and final delivery — from Emmy-winning dragons to a 1,000-shot streaming series. Bidding, budgets, global teams, final delivery.
Full credits on IMDb.
Produced Pixomondo's Emmy-winning dragon creature work on HBO's Game of Thrones — scaling the beasts from hatchlings to 740-texture giants across three seasons.
Production leadership on Taika Waititi's Apple TV+ series — 1,000+ shots across 42 sequences, all ten episodes, delivered by globally distributed teams.
Contributor on distributed pipeline strategy — six secrets to successful cloud-based VFX workflows, published by Autodesk.
Member of the VES, the industry's honorary society representing the full breadth of visual effects practitioners worldwide.
Member of the Television Academy, the organization behind the Primetime Emmy Awards.
Early backer of Perfection42, an AI studio building generative pixel technology for the creative industries.
Ongoing work at the intersection of production and machine intelligence — AI-driven workflows, analytics, and automation for bidding, forecasting, and decision-making in VFX. New projects and write-ups are published here as they ship.
Exploring how large language models can turn scripts, breakdowns, and shot lists into first-pass bids — compressing days of estimation into hours while keeping producer judgment in the loop.
Ask about this work →Production data as a signal: models for burn-rate forecasting, capacity planning, and early risk detection across multi-vendor shows.
Ask about this work →Angel investor in Perfection42, building generative pixel technology that gives studios scalable, style-consistent image generation.
Visit ↗Design begins with an idea, not decoration. Inspired by Dieter Rams' functionalism, his principles of good design, and the Bauhaus philosophy of reduction, every element must have a purpose.
The same principle applies to production. Every project naturally generates entropy: scope expands, versions multiply, and information becomes fragmented. Strong production is the discipline of containing that complexity through clear structure, reliable data, and decisions made before they become problems.
Order is not the opposite of creativity. It is the framework that allows creativity to thrive.
Less, but better
Philosophy of technology — old questions inside new machinery. What a tool asks of the person who uses it; where judgment belongs when so much can be automated; what is worth understanding rather than delegating. The kind of thinking an industry rebuilding itself around AI cannot afford to skip.
Clarity is a practice
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